Realism…

‘It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else.’
Gillian Flynn, Gone Girl

One of my blogging missions this year was to write more fiction. It’s an aspect of writing that I have always found harder and so often shy away from attempting as it is easier to bash out an opinion piece or rely on facts and research to decorate my own words. Even though it is, by definition, not a description of real events, I feel more exposed by fiction. There’s a vulnerability to revealing potential fantasy that means I feel more weighed down by word choice or imagery. Is that exactly what I’d imagined? Does that create the arousal or sensation that I wanted?

But rather than carry on consciously avoiding developing my writing, I decided to face it head on and entered the Smut Marathon, an erotic writing contest that has been running since January, and I am genuinely astonished to find myself in the semifinal! Thank you so much to everyone who has voted for me and for all the feedback. It has been a wonderful experience and has definitely increased my confidence in fiction.

All of the entries and feedback have also left me pondering one particular question that I wanted to pose to you all too – does good erotic fiction have to be realistic or believable?

By this, I don’t mean to suggest that there is no place for fantasy (not erotic fantasy but Dungeons and Dragons-esque fantasy) or any genre not based in every day experience in erotica. My favourite piece of fiction that I have written involves a dance between Jack Frost and the Dawn , and I am incredibly excited about the Halloween based erotica that usually appears around this time of year. Some fantasies are best described in the fantastic; some scenes are enhanced by historical context or superhuman abilities; sometimes we want what we can’t find in the ‘every day.’

My question, however, involves whether the interactions between the characters in whatever context has been created have to be realistic. When you read it, do you believe that the sex is real? Or even possible? Would real people have responded in this way, or are they acting in an erotically charged manner that would never actually happen? And, of course, does it really matter if they are?

Smut Marathon has brought these questions to the front of my mind as, perhaps unusually for someone who claims to write erotic fiction, completing these submissions has made me realise that I don’t actually write much sex, and the jury members have often fairly criticised me for that. Sometimes there’s no sex at all! I am more comfortable in the build up, in the illicit glances or stolen touches, rather than the mechanics. It’s again an avoidance tactic – I only write short fiction with even my longest stories barely making 2000 words and there’s enough delight and intrigue and possibility of abstract description in the ‘before’ for me. Also, and importantly for this argument, I often don’t develop a story enough for the characters to actually have sex in a way that I can believe. I’d need more words for that and I run out of steam!

This tactic hasn’t been easy in the Smut Marathon assignments, however, and this has been a big reason why I have found it such a challenge. Can I write sex in a 500 or 800 or 1000 word story? And more, can I write realistic sex in so few words?

The most recent assignment brought all of these difficulties to a head – we were asked to write a 1000 word erotic story about two strangers who were stuck in a lift for hours. At first glance, this seemed very straightforward and was even perhaps a stereotypical erotic trope. Strangers, trapped together for hours in a confined space…surely all sorts of wonderful and naughty things could happen?

Except that when I tried to write them, each scenario felt fake. Who really truly propositions a stranger in a lift? (Quick aside – if you have and it’s worked, kudos to you. You have powers beyond my comprehension!) Under what circumstances would that kind of advance be successful and not treated as assault? Even more so after #MeToo, I just could not manufacture a story that didn’t feel corny or seedy or just plain fictional! I accept that this difficulty is likely based in my own limited imagination and ability, but I could feel myself writing bad sex, writing exaggerated erotica that was funny rather than hot. Or worse, cringeworthy.

As you’ll see when I share my entry later this month when the next vote opens (or you can read it in the previous voting page here where I was entry 4), I fudged it. The sexual frisson was created by an external figure. Yes, the main characters were strangers but the man was stumbling into a ready made sexual encounter. The story had already started before I had written a word and continued after I had finished.

Reading the other entries, it seems that I wasn’t the only one to struggle with this ‘forced’ intimacy. The 14 entries included two demons, one ghost, one death sequence and one dream – all scenarios that allowed characters to believably act in ways that neatly bypassed the problems I had faced trying to make a story that felt real!

I hope this doesn’t sound like I’m judging the other authors or think that the stories that didn’t need these tricks were somehow better because I don’t mean to. I’m just fascinated by the process – what makes some stories so good or so difficult to connect with? As we’re reaching the final stages of this competition, the quality is just getting higher and I’m intrigued by what qualifies a story for a place in the semi final, or later the final. Really, well done Marie for setting us such a challenging assignment!

So what do you think? And am I overthinking this?? Does the basis of the sexual encounter need to be realistic for a story to work? Even in the most outlandish settings, do you still need to believe that the sexual attraction is real? I know I do. Stories where the action feels rushed just turn me off; I don’t believe them. I don’t get lost in the story; I get left behind.

But when, as a reader, I can follow the thread from attraction without feeling like steps have been missed, when the action flows naturally and seamlessly, oh yes…that’s the erotica I love to read!

3 thoughts on “Realism…

  1. So many great questions which I have never considered before, despite amateurishly writing erotica for many years! I don’t think I’ve ever written any particularly fantastical stories before, featuring mythical creatures etc, but now I’m tempted to do so.

    I agree that it helps if the attraction is real (although humiliation can also be hot) but that the situation doesn’t need to be. I do, however, think that rushed stories can work really well, but only if the pace matches the speed of the sex scene and if that sex scene helps to build out the story (EA does a great job of this).

    Congratulations on getting to the semi-final, I’ve really enjoyed reading your stories and look forward to seeing what you come up with next.

    O x

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  2. If it’s forced, erotica doesn’t work. I would think it’s a challenge to do that elevator story. The anxiety over being trapped would dim most peoples urges. If someone was able to craft a story that flowed naturally in that situation I would be impressed.

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  3. I greatly enjoyed reading this Liv. It is often difficult in short pieces to create a narrative which seems believable. Some people are superb at creating vignettes of erotic passion where we know little of the characters but the strength of their wordplay draws us in. Like you, I prefer a bit of a story where we learn something of the characters, and sex, if it occurs, seems natural and unforced.
    I also found writing a story about two people stuck in a lift very difficult but was quite happy with what I came up with in the end. Even if it wasn’t enough to keep me in the competition. I am afraid my stories were just not hot enough for the judges. Good luck to you for the rest of the smut marathon.

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